Logo_Docam_fr.jpg logofdl.jpg
  • Logo DOCAM
    is an international research alliance on the documentation and the conservation of the media arts heritage.
    Read more…

  • Keywords

  • RSS

    To receive information about DOCAM please enter your email address:

  • Media in Motion Symposium Program

    keywords : Events

    DOCAM and Media@McGill are proud to present, for the first time, an international symposium that will precede the fourth annual DOCAM Summit on October 30 and 31, 2008, at the Schulich School of Music at McGill University:

    Media in Motion Symposium
    The Challenge of Preservation in the Digital Ag
    e

    October 29, 2008
    Rooms 832/833, New Music Building

    Schulich School of Music
    McGill University, 527 Sherbrooke W.

    Free admission
    As space is limited, registration is required via email:
    docam.symposium@mac.com


    October 29, 2008

    9:00-9:15 – Opening Remarks

    Alain Depocas, Director, DOCAM Research Alliance; Director, Centre for Research and Documentation, Daniel Langlois Foundation

    Dr. William Straw, Professor, Communication Studies; Acting Director, Media@McGill; McGill University

    9:15-10:30 – DIGITAL PRESERVATION: GLOBAL PERSPECTIVES
    Moderator: Marilyn Terzic, McGill University

    Somaya Langley, National Library of Australia / Australian Music Centre, Australia
    Mediating Models and Modes

    Laura Barreca, PAN I Palazzo delle Arti Napoli, Italy
    Conservation and Documentation of New Media Art. The Debate between the Italian Theory and International Strategies

    Andrew McHugh, Perla Innocenti, and Seamus Ross, HATII at the University of Glasgow
    Assessing Risks to Digital Cultural Heritage with DRAMBORA

    10:30-10:45 – Coffee Break

    10:45-12:00 – VIDEO PRESERVATION: MEDIUM AND MATTER
    Moderator: Marie-Catherine Cyr, DOCAM Research Alliance

    Ariane Noël de Tilly, Amsterdam School for Cultural Analysis, Netherlands
    Collecting a Fragment of an Ongoing Project: Mike Kelley’s Series Extracurricular Activity Projective Reconstruction

    Melitte Buchman and Alice Moscoso, New York University, US
    A Walk in the Dark: Preserving Video Now

    Marilyn Terzic, McGill University, Canada
    Of Optics and Aesthetics: Perceptual Considerations in the Preservation of Video Art

    12:00-13:30 – Lunch

    13:30-14:45 – NEW MEDIA, NEW PARADIGMS
    Moderator: Andrea Kuchembuck, DOCAM Research Alliance

    Nina Wenhart, The School of the Art Institute of Chicago, (SAIC)
    The Grammar of New Media: Notation Systems for Digital Media Art

    Corina MacDonald, Canadian Heritage Information Network, Canada
    New Media, New Knowledge: A Knowledge Management Perspective on the Preservation of New Media Art

    Stéphanie Corriveau, The Montreal Museum of Fine Arts, Canada
    La propriété intellectuelle et les arts médiatiques

    14:45-15:00 – Coffee Break

    15:00-16:15 – DEFINING AND PRESERVING DIGITAL OBJECTS
    Moderator: Stephanie Corriveau, The Montreal Museum of Fine Arts

    Kathleen Fear, University of Michigan, US
    Approaches to Defining the Significant Properties of Digital Objects

    Joanna Barwick, Loughborough University, UK
    What are the Barriers to the Preservation of Digital Game Heritage?

    Kam Woods, Indiana University, US
    Virtualization for Preservation of Executable Art

    16:15-16:30 – Coffee Break

    16:30-17:45 – THE DIGITAL DIVIDE
    Moderator: Marilyn Terzic, McGill University

    Tabea Lurk and Jürgen Enge, AktiveArchive – BUA | Bern University of the Arts, Switzerland
    An Evaluation Chart for Born Digital Artworks

    Tracy Popp, University of Illinois Urbana Champaign, US
    A Moving Target: Archiving Net Art

    jonCates, The School of the Art Institute of Chicago, US
    Copying-it-right: Archiving the Media Art of Phil Morton