Home Bibliography

Bibliography

Code of ethics and Guidance for practice of the of the Canadian Association for Conservation of Cultural Property and of the Canadian Association of Professional Conservators [On-line]. — Ottawa : Canadian Association for Conservation of Cultural Property ; Canadian Association of Professional Conservators, 2000. — 21 p. — Acrobat (PDF) file. — Also available in French, under the title «Code de déontologie et Guide du praticien de l’Association canadienne pour la conservation et la restauration des biens culturels et de l’Association canadienne des restaurateurs professionnels». — [Date of reference : January 19, 2010]. — Access : http://www.cac-accr.ca/pdf/ecode.pdf

 

«The decision making model for the conservation and restoration of modern and contemporary art». — Modern art : who cares?. — Edited by IJsbrand Hummelen and Dionne Sillé. — Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. — Wrtiten by The Foundation for the Conservation of Modern Art, Amsterdam, Pays-Bas. — ISBN 9072905458. — P. 164-172.

 

« Variable media glossary ». — Permanence through change : the variable media approach = L’approche des médias variables : la permanence par le changement. — Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology ; New York : Solomon R. Guggenheim Museum, 2003. — ISBN 0968469329. — P. 130-137.

Also available on the Internet : http://www.variablemedia.net/pdf/Glossary_ENG.pdf [ref. January 19, 2010].

 

«The NINCH guide to good practice in the digital representation and management of cultural heritage materials». — National Initiative for a Networked Cultural Heritage (NINCH). — Washington : National Initiative for a Networked Cultural Heritage ; Glasgow : Humanities Advanced Technology and Information Institute . — [Date of reference : January 19, 2010]. — Access : http://www.nyu.edu/its/humanities/ninchguide/

 

Stan Douglas: past imperfect : works 1986-2007. — Edited by Hans D. Christ. — Ostfildern : Hatje Cantz ; Stuttgart : Staatsgalerie Stuttgart : Württembergischer Kunstverein Stuttgart, 2007. — 192 p. — ISBN 9783775720212.

 

«Sustainability of digital formats : planning for library of congress collections». — National digital information infrastructure and preservation program. — Washington : Library of Congress. — [Date of reference : January 21, 2010]. — Access : http://www.digitalpreservation.gov/formats/index.shtml

 

Synthèse des normes applicables à la conservation et à la manipulation des documents sur support filmique et sur plaque de verre [digital document]. — Montréal : Conférence des recteurs et des principaux des universités du Québec, 2001. — Produced by the Groupe de travail sur la conservation des collections du Sous-comité des bibliothèques. — [Date of reference : January 21, 2010]. — Access : http://www.crepuq.qc.ca/documents/bibl/Normes_films/normes_films.pdf

 

Bellaïche, Philippe. — Les secrets de l’image vidéo. — 6th edition. — Paris : Éditions Eyrolles, 2007. — 456 p. — ISBN 2212117833.

 

Boston, Georges. — Memory of the world programme : safeguarding the documentary heritage : a guide to standards, recommended practices and reference literature related to the preservation of documents of all kinds [On-line]. — Paris : United Nations Educational, Scientific and Cultural Organization, 1998. — 54 p. — Acrobat (PDF) file. — Also available in French, under the title «Mémoire du monde : Guide des normes, pratiques recommandées et ouvrages de référence concernant la conservation des documents de toute nature». — [Date of reference : January 19, 2010]. — Access : http://unesdoc.unesco.org/images/0011/001126/112676fo.pdf

 

Gagnon, Jean. — «Gary Hill : à la recherche de la perte technologique = An interview with Gary Hill». — Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — Interview conducted in July 2008 by a series of email exchanged between Jean Gagnon and Gary Hill. — P. 10-21.

 

Ippolito, Jon. — Stan Douglas. — New York : Solomon R. Guggenheim Museum. — 61-69 p.

 

Jimenez, Mona ; Platt, Liss. — Videotape identification and assessment guide [On-line]. — Austin : Texas Commision of the Arts, 2004. — 55 p. — Acrobat (PDF) file. — Includes a bibliography. — Includes a glossary. — [Date of reference : April 27, 2005]. — Access : http://www.arts.state.tx.us/video/pdf/video.pdf

 

Jones, Caitlin. — «Understanding medium: preserving content and context in variable media art». — Keep Moving Images. — London : The Lux Centre for film and video. — [Date of reference : January 19, 2010]. — Access : http://kmi.lux.org.uk/casestudies/understanding.htm

 

Laurenson, Pip. — «Authenticity, change and loss in the conservation of time-based media installations». — Tate Papers [on line]. — Autumn 2006. — [Date of reference : November 26, 2009]. — Access : http://www.tate.org.uk/research/tateresearch/tatepapers/06autumn/laurenson.htm — ISSN 1753-9854. — N. p.

 

Laurenson, Pip. — «The conservation and documentation of video art». — Modern art : who cares?. — Edited by IJsbrand Hummelen and Dionne Sillé. — Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. — ISBN 9072905458. — P. 263-271. Also available on the Internet : http://www.incca.org/files/pdf/resources/laurenson_p._the_conservation_and_documentation_of_video_art.pdf [ref. January 19, 2010].

 

Laurenson, Pip. — «Developing strategies for the conservation of installations incorporating time-based media with reference to Gary Hill’s Between cinema and a hard place». — Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — P. 259-266. Also available on the Internet : http://www.tate.org.uk/research/tateresearch/tatepapers/04spring/time_based_media.htm [ref. January 19, 2010].

 

Laurenson, Pip. — «The management of display equipment in time-based media installations». — Modern art, new museums : contributions to the Bilbao congress. — Edited by Ashok Roy and Perry Smith. — London : The International Institute for Conservation of Historic and Artistic Works, 2004. — ISBN 0954816900. — P. 49-53. Also available on the Internet : http://www.tate.org.uk/research/tateresearch/tatepapers/05spring/laurenson.htm [ref. January 19, 2010].

 

Leleu, Nathalie. — «L'art vivant, le musée et leurs petites économies, pièce en 6 oeuvres et 5 épisodes». — L'art même. — N° 17 (oct./nov./déc. 2002). — P. 2-9.

Also available on the Internet : http://www2.cfwb.be/lartmeme/no017/pages/page2.htm [ref. January 19, 2010].

 

Martin, Jeff. — «Conversation with Heather Weaver : Bay Area Video Coalition». — EAI online resource guide for exhibiting, collecting & preserving media art, 2006. — [Date of reference : January 21, 2010]. — Access : http://resourceguide.eai.org/preservation/singlechannel/interview_weaver.html

 

McDonough, Jerome P. — Preservation-worthy digital video, or how to drive your library into chapter 11 [On-line]. — 2004. — 12 p. — Acrobat (PDF) file. — Text of a presentation givent at the «Electronic Media Group Annual Meeting of the American Institute for Conservation of Historic and Artistic Works» in Portland, Oregon, on June 13, 2004. — [Date of reference : January 21, 2010]. — Access : http://cool.conservation-us.org/coolaic/sg/emg/library/pdf/mcdonough/McDonough-EMG2004.pdf

 

Mellencamp, Patricia. — «The old and the new : Nam June Paik : video artist and sculptor». — Art Journal. — Vol. 54, no. 4 (Winter 1995). — P. 41-47.

 

Messier, Paul. — «Dara Birnbaum's Tiananmen square : break-in transmission : a case study in the examination, documentation, and preservation of a video-based installation». — Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — P. 193-209. Also available on the Internet : http://cool.conservation-us.org/coolaic/jaic/articles/jaic40-03-003.html [ref. January 21, 2010].

 

Rinehart, Richard. — Nailing down bits: digital art and intellectual property = Bien fixer les éléments d’information : l’art numérique et la propriété intellectuelle [On-line]. — Gatineau : Canadian Heritage Information Network, 2006. — 46 p. — Acrobat (PDF) file. — [Date of reference : January 21, 2010]. — Access : http://www.pro.rcip-chin.gc.ca/propriete_intellectuelle-intellectual_property/fixer_elements-nailing_down/index-eng.jsp

 

Rinehart, Richard. — A system of formal notation for scoring works of digital and variable media art [On-line]. — 25 p. — Acrobat (PDF) file. — [Date of reference : January 21, 2010]. — Access : http://www.banffcentre.ca/bnmi/programs/archives/2005/refresh/docs/conferences/Richard_Rinehart.pdf

 

Wijers, Gaby. — «Control and preservation of videotapes : An introduction to the handling, storage and conservation of analog and digital videotapes». — Nederlands Instituut voor Mediakunst = Netherlands Media Art Institute : Montevideo Time Based Art. — Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. — [Date of reference : January 21, 2010]. — Access : http://www.montevideo.nl/en/nieuws/detail.php?id=46&archief=ja&showjaar=2003&beginjaar

 

Wilhelm, Henry ; Brower, Carol. — The permanence and care of color photographs: traditional and digital color prints, color negatives, slides, and motion pictures. — Grinnell : Preservation Publishing Company. — 744 p. — ISBN 0911515003. Also available on the Internet : http://www.wilhelm-research.com/pdf/HW_Book_758_Pages_HiRes_v1a.pdf [ref. January 19, 2010].

 

 

Other ressources consulted online

 

AMIA : Video preservation fact sheets.

http://www.amianet.org/resources/guides/fact_sheets.pdf (consulted November 18, 2009).

 

Apple.

http://www.apple.com/ (consulted July 7, 2009).

 

Apple-History.com.

http://www.apple-history.com/ (consulted July 7, 2009).

 

L’aventure Apple.

http://www.aventure-apple.com/ (consulted July 7, 2009).

 

CD et DVD gravés : durée de vie limitée, de 2 à 5 ans.

http://www.silicon.fr/fr/silicon/news/2006/01/14/cd-dvd-graves-duree-vie-limitee-2-5-ans (consulted November 27 2009)

 

Comment ça Marche ? : CD, CD audio et CD-ROM.

http://www.commentcamarche.net/contents/pc/cdrom.php3 (consulted November 27 2009).

 

Conservation des diapositives, Que faire quand il y a des champignons ?

http://www.diaporamaforum.com/forums/index.php?showtopic=1952 (consulted January 21, 2010).

 

Digital Preservation Management : Chamber of horrors : obsolete and endangered media.

http://www.icpsr.umich.edu/dpm/dpm-eng/oldmedia/tapes.html (consulted January 21, 2010).

 

Exporevue, « Vancouver Art and Artists ».

http://www.exporevue.com/magazine/fr/interdidal.html (consulted May 22, 2007).

 

Le film noir et blanc.

http://objectif-argentique.com/le_film.htm (consulted November 13, 2009).

 

Forum Chassimages.

http://www.chassimages.com/forum/index.php?action=printpage;topic=19818.0 (consulted January 21, 2010).

 

Getty : Introduction to metadata.

http://www.getty.edu/research/conducting_research/standards/intrometadata/

(consulted May 10, 2009).

 

Grand dictionnaire terminologique.

http://www.granddictionnaire.com/ (consulted May 17, 2007).

 

Installations : Machine for Taking Time (2001-4).

http://homepage.mac.com/davidrokeby/machine.html (consulted March 24, 2007).

 

Keep Moving Images : Video : Formats.

http://kmi.lux.org.uk/video/formats.htm (consulted November 29, 2009).

 

Kodak retires Kodachrome Film : celebrates life of oldest film icon in its portfolio.

http://www.kodak.com/eknec/PageQuerier.jhtml?pq-path=2709&pq-locale=en_US&gpcid=0900688a80b4e692 (consulted January 21, 2010).

 

Kodachrome : the end of an era.

http://www.dwaynesphoto.com/ (consulted July 13, 2009).

 

«LCD TVs outship CRT TVs for the first time », TGDaily, 19 févirer 2008.

http://www.tgdaily.com/content/view/36119/118/ (consulted July 17, 2008).

 

Max/MSP.

http://fr.wikipedia.org/wiki/Max/MSP (consulted October 19, 2009).

 

Maya (logiciel).

http://fr.wikipedia.org/wiki/Maya_(logiciel) (consulted October 15, 2009).

 

MicroStation.

http://fr.wikipedia.org/wiki/Microstation (consulted October 15, 2009).

 

PADI : Preservation metadata.

http://www.nla.gov.au/padi/topics/32.html (consulted May 10, 2009)

 

Rollei Ortho 25.

http://www.mahn.net/DL_MAHN/ORTHO_fr.pdf (consulted January 21, 2010).

 

softVNS 2 real time video processing and tracking software for Max.

http://homepage.mac.com/davidrokeby/softVNS.html (consulted October 21, 2009).

 

Sony : Betacam SP.

http://www.sony.fr/biz/view/ShowProductCategory.action?site=biz_fr_FR&category=VPM+Betacam+SP (consulted January 21, 2010).

 

Sony : Hi 8.

http://www.sony.fr/product/sdh-hi-8 (consulted November 25, 2009).

 

«Transition vers la télévision numérique : le 31 août 2011», Conseil de la radiodiffusion et des télécommunications canadiennes. 2008.

http://www.crtc.gc.ca/fra/info_sht/bdt14.htm (consulted March3, 2009).

 

Les vidéoprojecteurs tritubes (technologie CRT).

http://www.homecinema-fr.com/bible/video/tritube.php (consulted January 21, 2010).

 

 

Unpublished

 

Mona Jimenez and Pip Laurenson. 2005. « Report on the Assessment of Film and Media Holdings: National Gallery of Canada » Musée des beaux-arts du Canada.