March 28, 2006 Marie-Christiane Mathieu, artist Marie-Christiane Mathieu © DOCAM 2006 seminaire2006_mathieu.xml 1) Marie-Christiane Mathieu’s journey from holography to digital art  (1 h. 5 min.) 2) “Monument du vide” by Marie-Christiane Mathieu (...

Day 1, Group 6 Mona Jimenez, Tisch School for the Arts, New York University   The study of electronic instruments and devices designed and used by 20th century artists is in its infancy. The goal of the Artist Instrumentation Database Project was to create a prototype database templat...

Day 1, Group 3 Matthew Biederman, artist, Montréal, Québec The presentation will discuss a recent effort in in upgrading several of Michael Naimark’s early “moviemap” works, such as Golden Gate Flyover (1987) and Karlsrhue Moviemap (1991) The paper specifically looks at the ty...

Day 1, Group 5 Caitlin Jones, New York In the fall of 2007, Caitlin Jones and Lizzie Muller were researchers-in-residence at the Daniel Langlois Foundation for Art, Science, and Technology. Jones’ research objectives were to examine models of documentation with an emphasis on the a...

Day 1, group 7 Colin Griffiths, Contemporary Art Logistics, Vancouver The presentation will discuss the collaborative relationship Mr. Griffiths has developed in working with artists, particularly with respect to establishing and maintaining the conceptual criteria for the artwork. ...

    Resources available on the DOCAM Web site:   • Conservation Guide: Common problems > The Moment of Truth, Daniel Dion • Conservation Guide: Conservation strategies > Storage • Cataloguing Guide for New Media Collections: Copyright • Visite du...

  David Rokeby, Machine for Taking Time, Installation, 2001, Gairloch Gallery, Oakville. Photo © 2007, Oakville Galleries.   Resources available on the DOCAM Web site:   • Conservation Guide: Common problems > Machine for Taking Time, David Rokeby • Catalo...

Day 1, Group 3 Caitlin Jones, New York, Researcher in Residence, FDL Paul Kuranko, New York, Researcher in Residence, FDL During their residency, Caitlin Jones and Paul Kuranko will undertake three case studies of artwork and will survey and assess the considerable amount of activity ...

Day 1, Group 3 Lizzie Muller, Australia, Researcher in Residence, FDL The actual, lived experience of the audience is a central concern in contemporary culture, which finds particular expression in New Media Art.  With its emphasis on interaction, dematerialisation, systems and genera...

Day 1, Group 7 Lori Zippay, Electronic Arts Intermix, New York Media art presents a unique and evolving set of exhibition, collection and preservation challenges. Founded in 1971, EAI is a nonprofit media arts organization that distributes and preserves a major collection of over 3,000 vi...

Day 1, Group 1 Jon Ippolito, University of Maine Richard Rinehart, UC Berkeley Art Museum. Curators and conservators have traditionally prided themselves on their contact with the original artifact. While readers of histories rely on their imaginations to reconstruct a culture from ...

  Janet Cardiff, Théorie du complot / Conspiracy Theory, 2002, sound and video promenade, Collection Musée d’art contemporain de Montréal. Photo : Richard-Max Tremblay, © Janet Cardiff.   Resources available on the DOCAM Web site:   • Cataloguing Guide for New...

Keynote Speaker: Antoni Muntadas, Barcelone, New York Respondent: Richard Gagnier, Montreal Museum of Fine Arts (MMFA), chair of the DOCAM Conservation & Preservation Committee Antoni Muntadas © DOCAM 2008 2008/sommet2008_341_muntadas Antoni Muntadas w...

Day 1, Group 5 Vera Frenkel, artist, Toronto, Ontario Rules for letting go: Internationally renowned Canadian artist Vera Frenkel presents her work. Vera Frenkel © DOCAM 2006 2006/sommet2006_51_frenkel Projects referred to in the presentation can ...

Day 1, Group 1 Richard Gagnier, Montréal Museum of Fine Arts (MMFA) and DOCAM Conservation & Preservation Committee, Montréal Émilie Boudrias, DOCAM Conservation & Preservation Committee, Montréal This presentation focuses on an analysis of two interviews with artists. It ...

March 30, 2009 Grégory Chatonsky, artist and guest lecturer, UQAM   * Please note that this presentation is in French Grégory Chatonsky © DOCAM 2009 seminaire2009_chatonsky.xml 1) Idéologie de la mémoire : notion d’inscription et intégrité te...

Day 1, Group 5 Caroline Langill, The Ontario College of Art & Design (OCAD), Toronto Electronic media art’s exclusion from museum exhibition and collection, when it emerged in the early 1970’s, can be traced to historical imperatives, suggesting systemic and structural antecede...

March 30, 2009 Marianne Cloutier, research assistant for the DOCAM Pedagogical Committee, and PhD Candidate in Art History, UQAM   * Please note that this presentation is in French Marianne Cloutier © DOCAM 2009 seminaire2009_cloutier.xml 1) Introducti...

March 27, 2007 Marie-Christiane Mathieu, artist, researcher, Studio XX manager   * Please note that this presentation is in French Marie-Christiane Mathieu © DOCAM 2007 seminaire2007_mathieu.xml 1) Pratique artistique : Rôle et responsabilité de l�...

January 17, 2006 Caitlin Jones, Guggenheim Museum, New York Caitlin Jones © DOCAM 2006 seminaire2006_Jones.xml 1) Introduction to the Variable Media Network, description of variable media behaviours, and strategies for preservation / Introduction au Réseau ...