Home RESOURCES Bibliography

DOCAM's General Bibliography


BOOKS

Amia compendium of moving image cataloging practice. — Edited by Abigail Leab Martin. — Hollywood : Association of Moving Image Archivists ; Chicago : The Society of American Archivists, 2001. — 272 p. — Includes a bibliography. — Includes a glossary. — ISBN 0931828236.

 

L'art à l'époque du virtuel. — Edited by Christine Buci-Glucksmann. — Paris : L'Harmattan, 2003. — 243 p. — (Collection arts 8). — ISBN 2747555097.

 

Art et biotechnologies. — Edited by Ernestine Daubner and Louise Poissant. — Sainte-Foy : Presses de l'Université du Québec ; Saint-Étienne : Publications de l'Université de Saint-Étienne, 2005. — 378 p. — (Esthétique). — Includes an index. — Includes a DVD-ROM. — ISBN 2760513289 (PUQ), ISBN 2862723819 (PUSE).

 

Artists as inventors : inventors as artists. — Edited by Dieter Daniels and Barbara U. Schmidt. — Ostfildern : Hatje Cantz ; Linz : Ludwig Boltzmann Institut : Media.Art.Research, 2008. — 240 p. — ISBN 3775721533.

 

Beyond the box : diverging curatorial practices. — Edited by Melanie Townsend. — Banff : The Banff Centre Press, 2003. — 187 p. — ISBN 0920159990.

 

Boek voor de instabiele media = Book for the unstable media. — Edited by Alex Adriaansens, Joke Brouwer, Rik Delhaas and Eugenie den Uyl. — Rotterdam : V2_Organisation, Institute for the Unstable Media, 1992. — 163 p. — Includes a bibliography. — ISBN 9090048405.

 

Connexions : art, réseaux, média. — Edited by Annick Bureaud and Nathalie Magnan. — Paris : École nationale supérieure des beaux-arts, 2002. — 642 p. — (Guide de l’étudiant en art). — Includes an index. — Includes a bibliography. — ISBN 2840560798.

 

De houdbaarheid van videokunst : Conservering van de Nederlandse videokunst collectie = The sustainability of video art : Preservation of Dutch video art collections. — Edited by Gaby Wijers, Ramon Coelho and Evert Rodrigo. — Amsterdam : The Foundation for the Conservation of Modern Art, 2003. — 80 p. — ISBN 9080767514.
Also available on the Internet : http://nimk.nl/_files/Files/CONSERVERING_1tm80.pdf [ref. February 25, 2010].

 

The DigiCULT report : technological landscapes for tomorrow’s cultural economy : unlocking the value of cultural heritage : full report. — Luxembourg : Office for Official Publications of the European Communities, 2002. — 324 p. — Report. — ISBN 9282851893.
Also available on the Internet : http://www.digicult.info/pages/download.php?doc=6 [ref. November 30, 2004].

 

Digital images and art libraries in the twenty-first century. — Edited by Susan Wyngaard. — Binghamton : Haworth Information Press, 2003. — 183 p. — Includes an index. — Includes a bibliography. — Published simultaneously as «Journal of library administration», vol. 39, nos 2/3 (2003). — ISBN 0789023474.

 

Eloquent images : word and image in the age of new media. — Cambridge : MIT Press, 2003. — 318 p. — Includes an index. — ISBN 0262083175.

 

Esthétique des arts médiatiques. — Edited by Louise Poissant. — Sainte-Foy : Presses de l'Université du Québec, 1995. — 2 vol. — (Esthétique). — ISBN 2760508080 (tome 1), ISBN 2760508382 (tome 2).

 

Exploiting images and image collections in the new media : gold mine or legal minefield?. — Edited by Barbara Hoffman. — Norwell : Kluwer Law International ; London : International Bar Assocation, 1999. — 397 p. — (International bar association series). — Includes an index. — ISBN 9041197214.

 

Frames of reference : a resource guide from the national initiative to preserve America’s dance. — Edited by Janice M. Deputy. — Washington : Dance/USA, 2001. — 80 p. — ISBN 193168300X.

 

Handbook for digital projects : a management tool for preservation and access. — Andover : Northeast Document Conservation Center, 2000. — 179 p. — ISBN 0963468545.

 

Inside installations : preservation and presentation of installation art. — Edited by Tatja Scholte and Paulien t' Hoen. — Amsterdam : Netherlands Institute for Cultural Heritage : The Foundation for the Conservation of Modern Art, 2007. — 64 p. — ISBN 9789081208819.

 

Interarchive : Archivarische Praktiken und Handlungsräume im zeitgenössischen Kunstfeld = Archival practices and sites in the contemporary art field. — Köln : Verlag der Buchhandlung Walther König, 2002. — 639 p. — ISBN 3883755400.

 

The InterPARES project : the long-term preservation of authentic electronic records : findings of the InterPARES project. — Edited by Luciana Duranti. — [San Miniato] : Archilab, [2005]. — 364 p. — Acrobat (PDF) file. — (Saggistica/Strumenti ; 5). — Includes a glossary.

 

Introduction to Metadata : pathways to digital information. — Edited by Murtha Baca. — Los Angeles : Getty Research Institute, 1998. — 41 p. — Includes a glossary. — ISBN 0892365331.
Also available on the Internet : http://www.getty.edu/research/institute/standards/intrometadata/index.html [ref. April 1, 2004].

 

LC21 : a digital strategy for the library of congress. — Washington : National Academies Press, 2000. — 265 p. — Includes a bibliography. — ISBN 0309071445.

 

Magnetic media : preservation sourcebook. — Edited par Mona Jimenez by Liss Platt. — New York : Media Alliance, 1998. — 55 p.

 

Modern art : who cares?. — Edited by IJsbrand Hummelen and Dionne Sillé. — Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. — 445 p. — ISBN 9072905458.

 

The new media book. — Edited by Dan Harries. — London : British Film Institute, 2002. — 262 p. — Includes an index. — Includes a bibliography. — ISBN 0851709249.

 

New media in the white cube and beyond. — Edited Christiane Paul. — Berkeley : University of California Press, 2008. — 288 p.

 

Permanence through change : the variable media approach = L’approche des médias variables : la permanence par le changement. — Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology ; New York : Solomon R. Guggenheim Museum, 2003. — 137 p. — Includes a glossary. — ISBN 0968469329.
Also available on the Internet : http://www.variablemedia.net/e/preserving/html/var_pub_index.html [ref. February 25, 2010].

 

Playback : a preservation primer for video. — Edited by Sally Jo Fifer, Luke Hones et al. — San Francisco : Bay Area Video Coalition, 1998. — 79 p. — Includes a bibliography. — Includes a glossary. — ISBN 0966231724.

 

La prolifération des écrans = Proliferation of screens. — Edited by Louise Poissant and Pierre Tremblay. — Sainte-Foy : Presses de l'Université du Québec, 2008. — 436 p. — (Esthétique). — English and French texts. — ISBN 9782760515413.

 

Report on the findings of the learning applications to document dance (LADD) project. — San Francisco : San Francisco Performing Arts Library and Museum : Bay Area Video Coalition : Theater Artaud : World Arts West, 1997. — [108] p. — Includes a glossary.
Also available on the Internet : http://www.danceheritage.org/publications/ladd.html [ref. July 25, 2004].

 

Rethinking media change : the aesthetics of transition. — Edited by David Thorburn and Henry Jenkins. — Cambridge : MIT Press, 2003. — 404 p. — Includes an index. — ISBN 0262201461.

 

Software studies : a lexicon. — Edited by Matthew Fuller. — Cambridge : MIT Press, 2008. — 334 p. — (Leonardo Books). — ISBN 0262062747.

 

Besser, Howard ; Trant, Jennifer. — Introduction to imaging : issues in constructing an image database. — Los Angeles : Getty Research Institute, 1996. — 48 p. — Includes a bibliography. — Includes a glossary. — ISBN 0892363614.

 

Bolter, Jay David ; Grusin, Richard. — Remediation : understanding new media. — Cambridge : MIT Press, 1990. — 295 p. — Includes an index. — Includes a bibliography. — Includes a glossary. — ISBN 0262024527.

 

Borgman, Christine L. — From Gutenberg to the global information infrastructure : access to information in the networked world. — Cambridge : MIT Press, 2000. — 324 p. — (Digital libraries and electronic publishing). — Includes a bibliography. — ISBN 026202473X.

 

Burke, Mary A. — Organization of multimedia resources : principles and practice of information retrieval. — Aldershot : Gower Publishing, 1999. — 224 p. — Includes an index. — Includes a bibliography. — ISBN 0566081717.

 

Cauquelin, Anne. — Fréquenter les incorporels : contribution à une théorie de l'art contemporain. — Paris : Presses Universitaires de France, 2006. — 144 p. — (Lignes d'art ). — ISBN 2130552900.

 

Deloche, Bernard. — Le Musée virtuel : vers une éthique des nouvelles images. — Paris : Presses Universitaires de France, 2001. — 265 p. — (Questions actuelles). — Includes an index. — Includes a bibliography. — Includes a glossary. — ISBN 2130520421.

 

Dollar, Charles M. — Authentic electronic records : strategies for long-term access. — Chicago : Cohasset Associates, 2000. — 248 p. — ISBN 0970064004.

 

Hansen, Mark H. — New philosophy for new media. — Cambridge : MIT Press, 2004. — 333 p. — Includes an index. — ISBN 0262083213.

 

Kerhervé, Brigitte ; Landon, Paul. — Cycle de vie et processus de base dans la conception et la construction d'oeuvres médiatiques. — Montréal : Éditions de l'école des arts visuels et médiatiques, Université du Québec à Montréal. — N. p. — (Nouvelles formes narratives et création audio-vidéo). — ISBN 9782922392012.

 

Lee, Pamela, M. — Chronophobia : on time in the arts of the 1960s. — Cambridge : MIT Press, 2004. — 368 p. — Includes an index. — ISBN 026212260X.

 

Lee, Stuart D. — Digital imaging : a practical handbook. — New York : Neal-Schuman Publishers ; London : Library Association Publishing, 2001. — 194 p. — Includes an index. — Includes a bibliography. — ISBN 1555704050.

 

Manovich, Lev. — The language of new media. — Cambridge : MIT Press, 2001. — 354 p. — (Leonardo book series). — Includes an index. — ISBN 0262133741.

 

Paul, Christiane. — L'art numérique. — London : Thames and Hudson, 2004. — 224 p. — (L'univers de l'art).

 

Paul, Christiane. — Digital art. — London : Thames and Hudson, 2003. — 224 p. — (World of art). — Includes an index. — Includes a bibliography. — Includes a glossary. — ISBN 0500203679.

 

Tribe, Mark ; Jana, Reena. — Art des nouveaux médias. — Edited by Uta Grosenick. — Köln : Taschen, 2006. — 95 p. — ISBN 3822830402.

 

Welger-Barboza, Corinne. — Le patrimoine à l’ère du document numérique : du musée virtuel au musée médiathèque. — Paris : L'Harmattan, 2001. — 313 p. — Includes an index. — Includes a bibliography. — ISBN 274751725X.

 

Wilson, Stephen. — Information arts : intersections of art, science, and technology. — Cambridge : MIT Press, 2002. — 945 p. — Includes an index. — Includes a bibliography. — ISBN 026223209X.

 

Wise, Richard ; Steemers, Jeanette. — Multimedia : a critical introduction. — London : Routledge, 2000. — 228 p. — Includes a bibliography. — ISBN 0415121515.

 

PROCEEDINGS

Les archives électroniques : une mémoire orpheline ou en mutation? : actes du 4e symposium du GIRA. — Montréal : Groupe interdisciplinaire de recherche en archivistique, 2002. — 157 p. — ISBN 2980779806.

 

Les artistes contemporains et l'archive : interrogation sur le sens du temps et de la mémoire à l'ère de la numérisation = Contemporary artists and archives : on the meaning of time and memory in the digital age. — Rennes : Presses Universitaires de Rennes, 2004. — 282, [50] p. — Includes a bibliography. — ISBN 2868479731.

 

Arts du spectacle : patrimoine et documentation = Performing arts : national heritage and information. — Paris : Bibliothèque nationale de France, 2002. — 206 p. — ISBN 2717721983.

 

Computing and visual culture : representation and interpretation : CHArt conference proceedings, volume one. — Edited by Tanya Szrajber. — London : CHArt : Computers and the History of Art, 1999. — 151 p. — ISBN 0953672808.

 

Curating new media : third Baltic international seminar : 10-12 May 2001. — Edited by Sarah Cook, Beryl Graham and Sarah Martin. — Gateshead : BALTIC, 2002. — 198 p. — ISBN 1903655064.

 

ICHIM01 : international cultural heritage informatics meeting : cultural heritage and technologies in the third millenium . — Edited by David Bearman and Franca Garzotto. — Pittsburgh : Archives & Museum Informatics ; Milano : Politecnico di Milano, 2001. — 2 vol. (655 p., 518 p.). — Include a CD-ROM. — ISBN 188562624X.

 

Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — Washington : American Institute for Conservation of Historic and Artistic Works, 2001. — N. p. — Proceedings of the conference «TechArcheology : A Symposium on Installation Art Preservation».

 

The Media arts in transition. — Minneapolis : Walker Art Center, 1983. — 64 p. — ISBN 935640134.

 

Mortality immortality? : the legacy of 20th-century art. — Edited by Miguel Angel Corzo. — Los Angeles : Getty Conservation Institute, 1999. — 192 p. — Includes an index. — ISBN 0892365285.

 

Performance documentation and preservation in an online environment. — Edited by Kenneth  Schlesinger. — New York : Theater Library Association, 2004. — xvi, 126 p. — (Performing arts resources ; vol. 24). — ISBN 0032610160.

 

»Present continuous past(s)« : media art : strategies of presentation, mediation and dissemination. — Edited by Ursula Frohne, Mona Schieren and Jean-François Guiton. — Bremen : University of the Arts Bremen ; Heidelberg : Springer Verlag, 2004. — 223 p. — ISBN 3211254684.

 

Quelles mémoires pour l’art contemporain ? : actes du XXXe congrès de l’association internationale des critiques d’art. — Rennes : Presses Universitaires de Rennes, 1997. — 273 p. — ISBN 2868472702.

 

Re:place 2007 : the second international conference on the histories of media, art, science and technology. — Berlin : Kulturprojekte Berlin GmbH, 2007. — 175 p.

 

Time and bits : managing digital continuity. — Edited by Margaret MacLean and Ben H. Davis. — Los Angeles : Getty Research Institute, 1999. — 84 p. — Includes a bibliography. — ISBN 0892365838.

 

EXHIBITIONS CATALOGUES

404 Object Not Found_Seoul : International Project for Media Art / Data Archiving, Presentation. — Seoul : Total Museum of Contemporary Art, 2007. — 207 p. — Korean and English text.

 

Deep storage : collecting, storing, and archiving in art. — Edited by Ingrid Schaffner and Matthias Winzen. — München : Prestel, 1998. — 303 p. — Includes a bibliography. — ISBN 3791319205.

 

Schwarz, Hans-Peter. — Media-art-history : media museum : ZKM - Center for Art and Media Karlsruhe. — München : Prestel ; Karlsruhe : ZKM/Center for Art and Media Karlsruhe, 1997. — 191 p. — Includes an index. — Includes a bibliography. — Includes a glossary. — Includes a CD-ROM. — ISBN 3791318780.

 

PERIODICALS

Monitoring Media Art Preservation. — Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. — Electronic journal. — [Date of reference : February 19, 2007]. — Access : http://www.montevideo.nl/nl/nieuwsbrief/

 

Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — 114 p. — Issue title : «Media arts : conservation & restoration». — French and English texts.

 

Convergence. — August 2009, Volume 15, No. 3. — Edited by Jessica Santone and William Straw. — Luton : Convergence, 2009. — [?] p. — Issue title : «Cultural memory and digital preservation». — [Date of reference : January 7, 2009]. — Access : http://con.sagepub.com/content/vol15/issue3/

 

Tate papers. — No. 8 (Autumn 2007). — London : Tate, 2007. — N. p. — Issue title : «Inherent Vice: The Replica and its Implications in Modern Sculpture Workshop». — [Date of reference : February 9, 2007]. — Access : http://www.tate.org.uk/research/tateresearch/tatepapers/07autumn/

 

DICTIONNARIES

Dictionnaire des arts médiatiques. — Edited by Louise Poissant. — Sainte-Foy : Presses de l'Université du Québec, 1997. — 431 p. — (Esthétique). — Includes an index. — Includes a glossary. — ISBN 2760508072. Montréal : Groupe de recherche en arts médiatiques, Université du Québec à Montréal, 1996. — Access : http://www.dictionnairegram.org/

 

THESIS

Durand, Anita. — Perpétuer l'instant ? : ou quelle conservation-restauration pour les oeuvres impermanentes et/ou performative?. — 2006. — 369 p. — A thesis submitted as part of a Diplôme Supérieur en Conservation-Restauration d'oeuvres peintes at the École Supérieure d'Art d'Avignon, in 2006. — Includes aCD-ROM and two DVDs. — Also available as a PDF file in the CD-ROM accompanying the publication.

 

Tremblay, Johanne. — Le sujet incarné : l'expérience polysensorielle dans deux installations vidéographiques de l'artiste américain Gary Hill (HanD HearD et Dervish) . — Montréal : Université du Québec à Montréal, 2005. — 130 p. — (Mémoire de maîtrise en études des arts, Université du Québec à Montréal).


TEXTS IN BOOKS

«The conservation of kinetic art». — Modern art : who cares?. — Edited by IJsbrand Hummelen and Dionne Sillé. — Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. — ISBN 9072905458. — P. 369-374.

 

«Electronic media : rethinking the conservator’s role». — Modern art : who cares?. — Edited by IJsbrand Hummelen and Dionne Sillé. — Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. — ISBN 9072905458. — P. 300-307.

 

Besser, Howard. — «Longevity of electronic art ». — ICHIM01 : international cultural heritage informatics meeting : cultural heritage and technologies in the third millenium . — Edited by David Bearman and Franca Garzotto. — Pittsburgh : Archives & Museum Informatics ; Milano : Politecnico di Milano, 2001. — Also available on Internet under the title «Longevity of electronic art : submitted to International Cultural Heritage Informatics Meeting, 2001». — [Date of reference : July 18, 2002]. — Access : http://www.gseis.ucla.edu/~howard/Papers/elect-art-longevity.html — ISBN 188562624X. — Volume 1, p. 263-275.

 

Dallas, Costis. — «An agency-oriented approach to digital curation theory and practice». — International Cultural Heritage Informatics Meeting (ICHIM07): proceedings [digital document]. — Edited by Jennifer Trant et David Bearman. — Toronto : Archives & Museum Informatics, 2007. — [Date of reference : December 16, 2009]. — Access : http://www.archimuse.com/ichim07/abstracts/prg_335001601.html

 

Depocas, Alain. — «Digital preservation : recording the recoding : the documentary strategy». — Ars Electronica 2001 : takeover : who’s doing the art of tomorrow = Wer macht die Kunst von morgen. — Heidelberg : Springer Verlag ; Linz : Ars Electronica Center, 2001. — Also in German under the title «Digitale Konservierung : Die Aufzeichnung der Neukodierung : Die Strategie der Dokumentation», p. 340-345. — P. 334-339.

 

Depocas, Alain. — «Objectifs du Réseau des médias variables». — Permanence through change : the variable media approach = L’approche des médias variables : la permanence par le changement. — Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology ; New York : Solomon R. Guggenheim Museum, 2003. — Also in English under the title «Goals of the Variable media network». — ISBN 0968469329. — P. 66-69. Also available on the Internet : http://www.variablemedia.net/pdf/Depocas.pdf [ref. December 12, 2003].

 

Fourmentraux, Jean-Paul . — «Internet au musée : les tensions d'une exposition concertée». — Culture & Musées, n° 8 : défendre le patrimoine, cultiver l'émotion. — Edited by Dominique Poulot. — Arles : Actes Sud, 2006. — ISBN 2742764488. — P. [?].

 

Frieling, Rudolf. — «Form follows format : tensions, museums, media technology and media art». — Medien Kunst Netz : Medienkunst im Überblick = Media Art Net : Survey of Media Art. — Edited by Rudolf Frieling and Dieter Daniels. — [Vienne] : Springer, 2004. — ISBN 3211005706. — P. 269-274.

 

Gagnon, Jean. — «Art et science dans le tourbillon numérique : l’importance de la recherche». — Les défis du cybermonde. — Edited by Hervé Fischer. — Sainte-Foy : Les Presses de l'Université Laval, 2003. — ISBN 2763779328. — P. 227-231.

 

Graham, Beryl. — «Redefining digital art : disrupting borders». — Theorizing digital cultural heritage : a critical discourse. — Edited by Fiona Cameron and Sarah Kenderdine. — Cambridge : MIT Press, 2006. — ISBN 0262033534. — P. 93-111.

 

Granger, Stewart. — «Digital preservation & emulation : from theory to practice». — ICHIM01 : international cultural heritage informatics meeting : cultural heritage and technologies in the third millenium . — Edited by David Bearman and Franca Garzotto. — Pittsburgh : Archives & Museum Informatics ; Milano : Politecnico di Milano, 2001. — ISBN 188562624X. — Volume 2, p. 289-296.

 

Griffiths, Vanessa. — «Record, play fast forward : developping strategies for the care of electronic media art at the gallery of western Australia». — Preservation of electronic records : new knowledge and decision making : postprints of a conference, symposium 2003 = La préservation des documents électroniques : information récente et prise de décisions : actes du congrès, symposium 2003. — Ottawa : Canadian Conservation Institute, 2004. — ISBN 0662686209. — P. 77-82.

 

Hansen Kopp, Leslie. — «Video preservation». — Envisioning dance on film and video. — Edited by Judy Mitoma. — London : Routledge, 2002. — ISBN 0415941709. — P. 272-275.

 

Hummelen, IJsbrand ; Scholte, Tatja. — «Sharing knowledge for the conservation of contemporary art : changing roles in a museum without walls?». — Modern art, new museums : contributions to the Bilbao congress. — Edited by Ashok Roy and Perry Smith. — London : The International Institute for Conservation of Historic and Artistic Works, 2004. — ISBN 0954816900. — P. 208-212.

 

Ippolito, Jon. — «Accommodating the unpredictable : the variable media questionnaire». — Performance documentation and preservation in an online environment. — Edited by Kenneth  Schlesinger. — New York : Theater Library Association, 2004. — (Performing arts resources ; vol. 24). — ISBN 0032610160. — P. 94-101.

 

Jones, Caitlin. — «Unstable formats : preservation and the variable media network». — New media art : practice and context in the UK : 1994-2004. — Edited by Lucy Kimbell. — London : The Arts Council of England, 2004. — ISBN 0948797886. — P. 94-97.

 

Lacerte, Sylvie. — «9 Evenings and experiments in art and technology a gap to fill in art history's recent chronicles ». — Artists as inventors : inventors as artists. — Edited by Dieter Daniels and Barbara U. Schmidt. — Ostfildern : Hatje Cantz ; Linz : Ludwig Boltzmann Institut : Media.Art.Research, 2008. — ISBN 3775721533. — P. 158-175. Also available on the Internet : http://www.fondation-langlois.org/html/e/page.php?NumPage=1716 [ref. November 27, 2009].

 

Laforet, Anne. — «Net art et conservation, quelles stratégies pour le musée ?». — Preservation of electronic records : new knowledge and decision making : postprints of a conference, symposium 2003 = La préservation des documents électroniques : information récente et prise de décisions : actes du congrès, symposium 2003. — Ottawa : Canadian Conservation Institute, 2004. — ISBN 0662686209. — P. 71-76.

 

Lang, Ulrich. — «Volatil memory». — Preservation of electronic records : new knowledge and decision making : postprints of a conference, symposium 2003 = La préservation des documents électroniques : information récente et prise de décisions : actes du congrès, symposium 2003. — Ottawa : Canadian Conservation Institute, 2004. — ISBN 0662686209. — P. 121-126.

 

Laurenson, Pip. — «The conservation and documentation of video art». — Modern art : who cares?. — Edited by IJsbrand Hummelen and Dionne Sillé. — Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. — ISBN 9072905458. — P. 263-271. Also available on the Internet : http://www.incca.org/files/pdf/resources/laurenson_p._the_conservation_and_documentation_of_video_art.pdf [ref. January 19, 2010].

 

Laurenson, Pip. — «The management of display equipment in time-based media installations». — Modern art, new museums : contributions to the Bilbao congress. — Edited by Ashok Roy and Perry Smith. — London : The International Institute for Conservation of Historic and Artistic Works, 2004. — ISBN 0954816900. — P. 49-53. Also available on the Internet : http://www.tate.org.uk/research/tateresearch/tatepapers/05spring/laurenson.htm [ref. January 19, 2010].

 

Laurenson, Pip. — «"The mortal image" : the conservation of video installations». — Material matters: conservation of modern sculpture. — Edited by Jackie Heuman. — London : Tate Publications, 1999. — ISBN 1854372882. — P. 108-115.

 

Michaud, Yves. — «Arts et biotechnologies». — L'art biotech’. — edited by Jens Hauser. — Trézélan : Filigranes ; Nantes : Le Lieu unique, 2003. — ISBN 2914381522. — P. 80-85.

 

Olson, Michael G. — «Robert Creeley's computer files : a collaborative approach to link access with preservation». — Preservation of electronic records : new knowledge and decision making : postprints of a conference, symposium 2003 = La préservation des documents électroniques : information récente et prise de décisions : actes du congrès, symposium 2003. — Ottawa : Canadian Conservation Institute, 2004. — ISBN 0662686209. — P. 127-133.

 

Paul, Christiane. — «Introduction : brève histoire de la technologie dans l'art : présentation, collection et conservation de l'art numérique». — L'art numérique. — London : Thames and Hudson, 2004. — (L'univers de l'art). — P. 7-25.

 

Paul, Christiane. — «The myth of immateriality : presenting and preserving new media». — MediaArtHistories. — Edited by Oliver Grau. — Cambridge : MIT Press, 2007. — (Leonardo book series). — ISBN 0-262-07279-3. — P. 251-274.

 

Rinehart, Richard. — «Archiving the avant garde : documenting and preserving variable media art». — Performance documentation and preservation in an online environment. — Edited by Kenneth  Schlesinger. — New York : Theater Library Association, 2004. — (Performing arts resources ; vol. 24). — ISBN 0032610160. — P. 74-88.

 

Rothenberg, Jeff. — «Preserving authentic digital information». — Authenticity in a digital environment. — Washington : Council on Library and Information Resources, 2000. — ISBN 1887334777. — P. 51-68.Also available on the Internet : http://www.clir.org/pubs/reports/pub92/rothenberg.html [ref. July 28, 2002].

 

Scott, Andrea K. — «From dematerialized to rematerialized : the Kitchen’s media preservation program». — A closer look : media arts 2002 : a case study anthology from the peer leadership initiative of the National Alliance for Media Arts and Culture. — Edited by Helen De Michiel. — San Francisco : The National Alliance for Media Arts and Culture, 2002. — P. 35-42.

 

Shubert, Howard. — «Preserving digital archives at the Canadian Centre for Architecture : Greg Lynn's Embryological House = La conversation des archives numériques au Centre canadien d'architecture : l'Embryological house de Greg Lynn ». — Architecture et archives numériques : l'architecture à l'ère numérique : un enjeu de mémoire. — Edited by David Peyceré and Florence Wierre. — Lausanne : Infolio, 2008. — (Archigraphy ; Thématiques). — Conference proceeding from the symposium «Architecture et archives numériques natives», organized by la Cité de l’architecture et du patrimoine and l’Institut national d’histoire de l’art, from October 8 to 10, 2007. — ISBN 9782884741460. — P. [?].

 

Sterling, Bruce. — «Digital decay = Décomposition numérique». — Permanence through change : the variable media approach = L’approche des médias variables : la permanence par le changement. — Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology ; New York : Solomon R. Guggenheim Museum, 2003. — ISBN 0968469329. — N. p.

 

van Wegen, D.H. — «Between fetish and score : the position of the curator of contemporary art : on Kunstwollen and expressiveness». — Modern art : who cares?. — Edited by IJsbrand Hummelen and Dionne Sillé. — Amsterdam : The Foundation for the Conservation of Modern Art : Netherlands Institute for Cultural Heritage, 1999. — ISBN 9072905458. — P. 201-209.

 

Viola, Bill. — «Permanent impermanence». — Mortality immortality? : the legacy of 20th-century art. — Edited by Miguel Angel Corzo. — Los Angeles : Getty Conservation Institute, 1999. — ISBN 0892365285. — P. 85-94.

 

Viola, Bill. — «Some recommendations on establishing standards for the exhibition and distribution of video works». — The Media arts in transition. — Minneapolis : Walker Art Center, 1983. — ISBN 935640134. — P. 50-57.

 

Yeung, Tim Au. — «Digital preservation : best practice for museums». — Preservation of electronic records : new knowledge and decision making : postprints of a conference, symposium 2003 = La préservation des documents électroniques : information récente et prise de décisions : actes du congrès, symposium 2003. — Ottawa : Canadian Conservation Institute, 2004. — ISBN 0662686209. — P. 61-69.

 

TEXTS IN PERIODICALS

Bishop, Mitchell Hearns. — «Evolving exemplary pluralism : Steve McQueen's Deadpan and Eija-Liisa Ahtila's Anne, Aki and God : two case studies for conserving technology-based installation art». — Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — P. 179-191.

 

Boileau, Dominique. — «La conservation du Web en archivistique et les possibles applications à l'art Internet». — DPI : la revue électronique du Studio XX Electronic Review [on line]. — N° 14 (2009). — [Date of reference : February 22, 2010]. — Access : http://dpi.studioxx.org/demo/?q=en/no/14/conservation-web-archivistique-applications-art-internet-dominique-boileau — N. p.

 

Bureaud, Annick. — «Le laboratoire du ZKM : interview de Peter Weibel = The ZKM laboratory : an interview with Peter Weibel». — Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — P. 83-92.

 

Chandler, Graham. — «Le jugement dernier du numérique». — Muse. — Vol. 22, n° 5 (sept./oct. 2004). — P. 26-29.

 

Couture, Francine. — «Réexposer ou produire l'oeuvre originale?  = To re-exhibit ot to produce the original work?». — Espace sculpture. — N° 71 (printemps 2005). — P. 6-11.

 

Depocas, Alain. — «Modèles pour l'archivage numérique : préservation et documentation du patrimoine des arts électroniques et numériques, un parcours». — HorizonZero [on line]. — N° 18 (nov. 2004). — Also available in English under the title «Variable and unstable : preserving and documenting our digital art heritage». — [Date of reference : January 1, 2006]. — Access : http://www.horizonzero.ca/textsite/ghost.php?tlang=0&is=18&file=7 — N. p.

 

Depocas, Alain. — «La mutation comme facteur de conservation : le cas des oeuvres à composantes technologiques = Mutations as a conservation factor : the case of works with technological elements». — Espace sculpture. — N° 71 (printemps 2005). — P. 12-16.

 

Depocas, Alain ; Gagnon, Jean. — «DOCAM et les enjeux de la conservation et de la documentation des arts technologiques = DOCAM and the conservation and documentation of media arts». — Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — P. 6-9.

 

Durand, Anita. — «Valeurs, compromis et polémiques : la ré-instauration  des œuvres éphémères et/ou performatives». — CeROArt : Conservation, Exposition, Restauration d'Objets d'Art [on line]. — N° 4 (2009). — Includes an abstract and a full PDF version of the article.. — [Date of reference : December 16, 2009]. — Access : http://ceroart.revues.org/index1259.html — N. p.

 

Duranti, Luciana. — «La conservation à long terme des documents dynamiques et interactifs : InterPARES 2». — Document numérique. — Vol. 8, n° 2 (2004). — P. 73-86.

 

Foisy, Marie-Hélène ; Courchesne, Marie-Ève. — «Sylvie Lacerte, coordonnatrice de l'Alliance DOCAM Fondation Daniel Langlois pour l'art, la science et la technologie». — Muséologies : les cahiers d'études supérieures. — Vol. 2, n° 3 (oct. 2007). — Interview with Sylvie Lacerte. — P. 104-117.

 

Frieling, Rudolf. — «Restoring relativity : the paradox of digital heritage». — Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — P. 65-69.

 

Gagnon, Jean. — «Les axes de recherche de la Fondation Daniel Langlois : entre prospective et exploration historique». — éc/artS. — N° 3 (févr. 2003). — P. 223-227.

 

Gagnon, Jean. — «Gary Hill : à la recherche de la perte technologique = An interview with Gary Hill». — Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — Interview conducted in July 2008. — P. 10-21.

 

Godfrey, Mark ; McCall, Anthony. — «Anthony McCall’s Line Describing a Cone». — Tate papers. — No. 8 (Autumn 2007). — London : Tate, 2007. — [Date of reference : December 16, 2009]. — Access : http://www.tate.org.uk/research/tateresearch/tatepapers/07autumn/godfreymccall.htm — N. p.

 

Ippolito, Jon. — «The museum of the future : a contradiction in terms?». — Artbyte. — Vol. 1, no. 2 (June/July 1998). — P. 18-19.

 

Ippolito, Jon. — «Ten myths of Internet art». — Leonardo. — Vol. 35, no. 5 (2002). — P. 485-487.

 

Jones, Caitlin. — «Est-ce le matériel qui dicte le sens? : trois études de cas de conservation de médias variables». — HorizonZero [on line]. — N° 18 (nov. 2004). — Also available in English under the title «Does hardware dictate meaning? : three variable media conservation case studies». — [Date of reference : January 1, 2006]. — Access : http://www.horizonzero.ca/textsite/ghost.php?tlang=0&is=18&file=6 — N. p.

 

Jones, Caitlin. — «Évolution de l'authenticité : objets et intention dans le monde artistique = Evolution of authenticity : objects and intent in the art world». — Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — P. 44-51.

 

Kerhervé, Brigitte ; Gerbé, Olivier ; Landon, Paul. — «Process modeling for new media artworks». — Multimedia Systems Journal. — Vol. 14, no. 6 (Dec. 2008). — P. 377-383.

 

Lacerte, Sylvie. — «Les enjeux pédagogiques = Issues in the development of teaching curricula for the documentation of media art». — Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — P. 102-107.

 

Lafaille, Madeleine ; Thomas, Wendy ; Depocas, Alain. — «Attention! la techno envahit nos collections!». — Documentation et bibliothèques. — Vol. 55, n° 4 (oct./nov./déc. 2009). — P. 171-176.

 

Laforet, Anne. — «Museums strategies : digital art and preservation». — MCD : Musiques & cultures digitales. — N° 55 (nov./déc. 2009). — P. 18-19.
Also available on the Internet : http://uk.digitalmcd.com/articles/articles.php?idarticle=826 [ref. January 19, 2010].

 

Lassalle, Hélène. — «Des fils conducteurs pour la modernité : l’électricité dans l’art». — Techne. — N° 12 (2000). — With an English abstract. — P. 57-70.

 

Laurenson, Pip. — «Authenticity, change and loss in the conservation of time-based media installations». — Tate Papers [on line]. — Autumn 2006. — [Date of reference : November 26, 2009]. — Access : http://www.tate.org.uk/research/tateresearch/tatepapers/06autumn/laurenson.htm — ISSN 1753-9854. — N. p.

 

Laurenson, Pip. — «Developing strategies for the conservation of installations incorporating time-based media with reference to Gary Hill’s Between cinema and a hard place». — Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — P. 259-266.
Also available on the Internet : http://www.tate.org.uk/research/tateresearch/tatepapers/04spring/time_based_media.htm [ref. January 19, 2010].

 

MacDonald, Corina. — «Itération, infini & dégradation : les nouveaux médias et la pratique de la documentation = Iteration, infinity and decay : new media and the practice of documentation». — Art Press2. — N° 12 (févr./mars/avril 2009). — Edited by Alain Depocas and Jean Gagnon. — Paris : Art Press, 2009. — P. 93-100.

 

Maitland, Eileen ; Hall, Cordelia. — «Cryogenics and creativity : the Frankenstein factor in cultural preservation». — Literary and linguistic computing. — Vol. 21 no. 3 (Sept. 2006). — P. 327-339.

 

Mancusi-Ungaro, Carol. — «Authority and ethics». — Tate papers. — No. 8 (Autumn 2007). — London : Tate, 2007. — [Date of reference : December 16, 2009]. — Access : http://www.tate.org.uk/research/tateresearch/tatepapers/07autumn/mancusiungaro.htm. — N. p.

 

Messier, Paul. — «Dara Birnbaum's Tiananmen square : break-in transmission : a case study in the examination, documentation, and preservation of a video-based installation». — Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — P. 193-209. Also available on the Internet : http://cool.conservation-us.org/coolaic/jaic/articles/jaic40-03-003.html [ref. January 21, 2010].

 

Neyfakh, Leon. — «Copy that! wait, don't : Whitney ponders problem of replication in modern art». — The New York Observer. — (Nov. 23, 2009). — P. [?]. Also available on the Internet : http://www.observer.com/2009/culture/copy-wait-dont-whitney-ponders-problem-replication-modern-art [ref. February 22, 2010].

 

Phillips, Joanna. — «Reconstructing the forgotten : an exhibition of 1970s and 1980s video installations, re-staged with authentic technology». — Tate Papers [on line]. — No. 8 (Autumn 2007). — [Date of reference : February 9, 2007]. — Access : http://www.tate.org.uk/research/tateresearch/tatepapers/07autumn/phillips.htm. — N. p.

 

Real, William A. — «Toward guidelines for practice in the preservation and documentation of technology-based installation art». — Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — P. 211-231.

 

Real, William A. — «Toward guidelines for practice in the preservation and documentation technology-based installation art». — Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — Washington : American Institute for Conservation of Historic and Artistic Works, 2001. — P. 211-231.

 

Rinehart, Richard. — «The media art notation system : documenting and preserving digital / media art». — Leonardo. — Vol. 40, no. 2 (2007). — Revised version of a paper originally presented at the “Refresh! The First International Conference on the Histories of Media Art, Science and Technology” (28 September-1 October 2005) at the Banff New Media Institute, Banff, Alberta, Canada.. — P. 181-187.

 

Rinehart, Richard. — «The straw that broke the museum's back? : collecting and preserving digital media art works for the next century». — Switch [on line]. — Vol. 6, no. 1 (2000). — [Date of reference : July 22, 2004]. — Access : http://switch.sjsu.edu/nextswitch/switch_engine/front/front.php?artc=233 — N. p.

 

Santone, Jessica. — «Marina Abramovic´’s Seven Easy Pieces : critical documentation strategies for preserving art’s history». — Leonardo. — Volume 41, Number 2, April 2008. — ISSN 1530-9282. — P. 145-152.

 

Santone, Jessica ; Straw, William. — «Editorial : Cultural memory and digital preservation». — Convergence. — August 2009, Volume 15, No. 3. — Edited by Jessica Santone and William Straw. — Luton : Convergence, 2009. — P. [?].

 

Stallabrass, Julian. — «Inherent vice». — Tate papers. — No. 8 (Autumn 2007). — London : Tate, 2007. — [Date of reference : December 16, 2009]. — Access : http://www.tate.org.uk/research/tateresearch/tatepapers/07autumn/stallabrass.htm — N. p.

 

Turner, James. — «Airs de famille : DOCAM, entre la muséologie et les sciences de l'information». — Documentation et bibliothèques. — Vol. 55, n° 4 (oct./nov./déc. 2009). — P. 153-158.

 

van Saaze, Vivian. — «Doing artworks : an ethnographic account of the acquisition and conservation of no ghost just a shell». — Krisis [on line]. — 2009, Issue 1. — [Date of reference : February 25, 2010]. — Access : http://www.krisis.eu/content/2009-1/2009-1-03-saaze.pdf — N. p.

 

Vitale, Timothy. — «TechArcheology : works by James Coleman and Vito Acconci». — Journal of the American Institute for Conservation. — Vol. 40, no. 3 (Fall/Winter 2001). — P. 233-258.

 

Zielinski, Siegfried. — «Media archaeology». — CTHEORY [on line]. — (Nov. 11, 1996). — [Date of reference : July 16, 2006]. — Access : http://www.ctheory.net/articles.aspx?id=42 — N. p.

 

ONLINE RESSOURCES

AktiveArchive. — Project of the Berne University of the Arts and the Swiss Institute for Art Research. — [Date of reference : December 18, 2009]. — Access : http://www.aktivearchive.ch/

 

Archiving the avant-garde : documenting and preserving digital / variable media art. — Edited by Richard Rinehart. — Berkeley : Berkeley Art Museum. — [Date of reference : May 22, 2007]. — Access : http://www.bampfa.berkeley.edu/about/avantgarde

 

CACHe project. — London : CACHe Project. — [Date of reference : January 6, 2006]. — Access : http://www.bbk.ac.uk/hosted/cache/

 

Capturing Unstable Media. — Rotterdam : V2_Organisation, Institute for the Unstable Media, 2004. — Includes a bibliography. — Includes a glossary. — [Date of reference : November 27, 2005]. — Access : http://capturing.projects.v2.nl/

 

«Capturing Unstable Media : Glossary». — Capturing Unstable Media. — Rotterdam : V2_Organisation, Institute for the Unstable Media, 2004. — Includes a bibliography. — Includes a glossary. — [Date of reference : November 27, 2005]. — Access : http://capturing.projects.v2.nl/glossary.html

 

CASPAR - Cultural, Artistic and Scientific knowledge for Preservation, Access and Retrieval. — [s.l.] : CASPAR - Cultural, Artistic and Scientific knowledge for Preservation, Access and Retrieval. — [Date of reference : May 2, 2007]. — Access : http://www.casparpreserves.eu/

 

Crumb : curatorial resource for upstart media bliss. — Edited by Beryl Graham and Sarah Cook. — Sunderland : School of Arts, Design, Media and Culture, University of Sunderland. — Includes a bibliography. — [Date of reference : December 17, 2002]. — Access : http://www.crumbweb.org/

 

DAVA : Digital Audiovisual Archiving. — New York : Media Matters, LLC. — Blog. — [Date of reference : June 10, 2006]. — Access : http://av-archive.blogspot.com/

 

«DCC Digital Curation Manual». — Digital Curation Centre. — Edinburgh : Digital Curation Centre. — [Date of reference : June 14, 2007]. — Access : http://www.dcc.ac.uk/resource/curation-manual/

 

DOCAM : Documentation et conservation du patrimoine des arts médiatiques = Documentation and conservation of the media arts heritage. — Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage. — [Date of reference : July 13, 2009]. — Access : http://www.docam.ca/.

 

EAI online resource guide for exhibiting, collecting & preserving media art. — 2006. — Includes a glossary. — [Date of reference : February 1, 2007]. — Access : http://resourceguide.eai.org/

 

«Echoes of art : emulation as a preservation strategy». — Variable media network = Réseau des médias variables. — New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — Includes a transcript of the conferences. — [Date of reference : January 6, 2006]. — Access : http://www.variablemedia.net/e/echoes/

 

Electronic Arts Intermix. — New York : Electronic Arts Intermix. — [Date of reference : April 17, 2003]. — Access : http://www.eai.org/eai/

 

Electronic Media Group of the American Institute for Conservation of Historic and Artistic Works. — Washington : American Institute for Conservation of Historic and Artistic Works. — [Date of reference : November 17, 2009]. — Access : http://cool.conservation-us.org/coolaic/sg/emg/

 

Forging the future: new tools for variable media preservation. — Consortium of museums and cultural heritage organizations dedicated to exploring, developing, and sharing new vocabularies and tools for cultural preservation. — [Date of reference : December 18, 2009]. — Access : http://forging-the-future.net/

 

GAMA : Gateway to Archives of Media Art. — [Date of reference : December 18, 2009]. — Access : http://www.gama-gateway.eu/

 

Independant media arts preservation. — New York : Independent Media Arts Preservation. — [Date of reference : June 29, 2004]. — Access : http://www.imappreserve.org/

 

Inside installations : preservation and presentation of installation art. — Amsterdam : International Network for the Conservation of Contemporary Art. — [Date of reference : November 24, 2006]. — Access : http://www.inside-installations.org/

 

International Network for the Conservation of Contemporary Art : INCCA. — Amsterdam : International Network for the Conservation of Contemporary Art. — [Date of reference : April 3, 2005]. — Access : http://www.incca.org/

 

InterPARES : international research on permanent authentic records in electronic systems. — Vancouver : InterPARES, School of Library, Archival and Information Studies, University of British Columbia. — [Date of reference : June 22, 2004]. — Access : http://www.interpares.org/

 

Keep Moving Images. — London : The Lux Centre for film and video. — [Date of reference : October 16, 2006]. — Access : http://kmi.lux.org.uk/

 

Media history project. — Minneapolis : University of Minnesota, 1996. — Media History Timeline. — [Date of reference : November 27, 2009]. — Access : http://mediahistory.umn.edu/timeline/

 

Media Matters. — London : Tate ; New York : The Museum of Modern Art ; San Francisco : San Francisco Museum of Modern Art ; New York : New Art Trust, 2004. — [Date of reference : April 5, 2005]. — Access : http://www.tate.org.uk/research/tateresearch/majorprojects/mediamatters/

 

Mustica. — Paris : Institut de Recherche et Coordination Acoustique / Musique (IRCAM). — [Date of reference : May 2, 2007]. — Access : http://mustica.ircam.fr/mustica/

 

Nederlands Instituut voor Mediakunst = Netherlands Media Art Institute : Montevideo Time Based Art. — Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. — [Date of reference : March 23, 2004]. — Access : http://www.montevideo.nl/en/

 

OASIS : Open Archiving System with Internet Sharing. — International  consortium between ZKM/Zentrum für Kunst und Medientechnologie Karlsruhe, Mezinárodní centrum pro umení a nové technologie v Praze, AGH : University of Science and Technology, Netherlands Media Art Institute and the Festival for Media arts Les Instants Vidéo Numériques et Poétiques. — 2004. — [Date of reference : December 18, 2009]. — Access : http://www.oasis-archive.eu/index.php/Hauptseite.

 

«Online course : video documentation of installations». — Inside installations : preservation and presentation of installation art. — Amsterdam : International Network for the Conservation of Contemporary Art. — [Date of reference : December 3, 2007]. — Access : http://www.inside-installations.org/onlinecoursevideodocumentation/

 

PACKED : Platform for the archiving and preservation of artistic creations on electronic and digital bearers. — Bruxelles : PACKED : Platform for the archiving and preservation of artistic creations on electronic and digital bearers. — [Date of reference : February 2, 2005]. — Access : http://www.packed.be/

 

PADI : Preserving Access to Digital Information. — Canberra : National Library of Australia. — Includes a bibliography. — Includes a glossary. — [Date of reference : December 21, 2001]. — Access : http://www.nla.gov.au/padi/

 

PANIC (preservation and archival of newmedia and interactive collections). — Brisbane : Distributed Systems Technology Centre. — [Date of reference : November 24, 2006]. — Access : http://metadata.net/panic/

 

PARIP : Practice as Research in Performance 2001-2006. — Bristol : The Arts and Humanities Research Council : University of Bristol. — [Date of reference : April 5, 2007]. — Access : http://www.bris.ac.uk/parip/

 

PoWR : the preservation of web resources handbook [digital document]. — Bath : JISC-PoWR. — [Date of reference : December 16, 2009]. — Access : http://jiscpowr.jiscinvolve.org/handbook/

 

«[Preservation and presentation of installation art : case study : Bruce Nauman's «MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)», 2001]». — Tate. — London : Tate. — [Date of reference : February 27, 2006]. — Access : http://www.tate.org.uk/research/tateresearch/majorprojects/nauman/home_1.htm

 

«Revolution, a monument for the television revolution (1990) : Jeffrey Shaw». — Inside installations : preservation and presentation of installation art. — Amsterdam : International Network for the Conservation of Contemporary Art. — [Date of reference : February 23, 2007]. — Access : http://www.inside-installations.org/artworks/artwork.php?r_id=15

 

REWIND : Artists' Video in the 70 s & the 80 s . — [Date of reference : December 18, 2009]. — Access : http://www.rewind.ac.uk/rewind/index.php/Welcome

 

«Seeing double : emulation in theory and practice». — Variable media network = Réseau des médias variables. — New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — [Date of reference : March 16, 2004]. — Access : http://www.variablemedia.net/e/seeingdouble/

 

Telematics Timeline. — New York : Independant Curators International. — Part of the website accompanying the travelling exhibition «Telematic Connections: The Virtual Embrace», curated by Steve Dietz.. — [Date of reference : December 16, 2009]. — Access : http://telematic.walkerart.org/timeline/

 

«V2 Keywords». — V2. — Rotterdam : V2_Organisation, Institute for the Unstable Media. — V2 Archives' thesaurus. — [Date of reference : January 6, 2006]. — Access : http://framework.v2.nl/archive/index/keyword/start.xslt

 

Variable media network = Réseau des médias variables. — New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — [Date of reference : July 23, 2003]. — Access : http://www.variablemedia.net

 

Virtual electronic poem project : a virtual reality reconstruction of the Poème électronique. — Torino : Virtual Reality & Multimedia Park. — [Date of reference : February 22, 2010]. — Access : http://www.edu.vrmmp.it/vep/

 

Adamczyk, Piotr D. — «Ethnographic methods and new media preservation ». — Museums and the Web 2008 : the international conference for culture and heritage on-line. — Toronto : Archives & Museum Informatics. — Proceedings of the conference. — [Date of reference : December 16, 2009]. — Access : http://www.archimuse.com/mw2008/papers/adamczyk/adamczyk.html

 

Delmas, Didier. — Electronic arts unplugged : museum politics and the preservation of new media [digital document]. — Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage, 2006. — [Date of reference : December 3, 2009]. — Access : http://archives.docam.ca/Pedagogie/Seminaire_2006/Didier_Delmas.pdf

 

Depocas, Alain. — «Digital preservation: recording the recoding - the documentary strategy». — Fondation Daniel Langlois pour l’art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — English and French text. — Texte written in 2002. — [Date of reference : February 2, 2005]. — Access : http://www.fondation-langlois.org/html/e/page.php?NumPage=152

 

Dimitrovsky, Isaac. — «Final report, Erl-King project». — Variable media network = Réseau des médias variables. — New York : Solomon R. Guggenheim Museum ; Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — Text written in 2004. — [Date of reference : July 22, 2004]. — Access : http://www.variablemedia.net/e/seeingdouble/report.html

 

Dyson, Frances. — «Et puis ce fut le présent = And then it was now». — Fondation Daniel Langlois pour l’art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — English and French text. — Texte written in 2006. — [Date of reference : October 16, 2006]. — Access : http://www.fondation-langlois.org/e/dyson/

 

Gilheany, Steve. — «Preserving information forever and a call for emulators». — Archive builders. — Manhattan Beach : Archive Builders. — Text writen in 1998. — [Date of reference : August 8, 2002]. — Access : http://www.archivebuilders.com/aba010.html

 

Graham, Beryl. — «Taxonomies of new media art : real world namings». — Museums and the Web 2005 : Speakers. — Toronto : Archives & Museum Informatics. — Text written in 2005. — [Date of reference : November 24, 2006]. — Access : http://www.archimuse.com/mw2005/papers/graham/graham.html

 

Hoetzlein, Rama C. — Timeline of 20th c. art and new media. — 2009. — [Date of reference : November 27, 2009]. — Access : http://www.rchoetzlein.com/theory/?p=42

 

Holdsworth, David ; Wheatley, Paul. — «Emulation, preservation and abstraction». — CAMiLEON : creative Archiving at Michigan and Leeds : emulating the old on the new. — Ann Arbor : University of Michigan ; Leeds : Leeds University. — [Date of reference : April 12, 2005]. — Access : http://cedarsgw.leeds.ac.uk/CAMiLEON/dh/ep5.html

 

Jimenez, Mona. — «The artist instrumentation database project». — Fondation Daniel Langlois pour l’art, la science et la technologie = Daniel Langlois Foundation for Art, Science, and Technology. — Montréal : Daniel Langlois Foundation for Art, Science, and Technology. — English and French text. — Texte written in 2005. — [Date of reference : March 30, 2005]. — Access : http://www.fondation-langlois.org/html/e/page.php?NumPage=708

 

Jones, Caitlin. — «Seeing double : emulation in theory and practice : the erl king case study». — Electronic Media Group : Special Sessions Program Information : June 13-14, 2004. — Washington : Electronic Media Group of the American Institute for Conservation of Historic and Artistic Works. — [Date of reference : January 5, 2005]. — Access : http://aic.stanford.edu/sg/emg/library/pdf/jones/Jones-EMG2004.pdf

 

Jones, Caitlin. — «Understanding medium:  preserving content and context in variable media art». — Keep Moving Images. — London : The Lux Centre for film and video. — [Date of reference : January 19, 2010]. — Access : http://kmi.lux.org.uk/casestudies/understanding.htm

 

[Kuchembuck, Andrea ; Bird, Lawrence ; Labelle, Guillaume]. — Greg Lynn's Embryological House : a case study in the preservation of digital architecture [digital document]. — Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage, 2007. — [Date of reference : November 26, 2009]. — Access : http://archives.docam.ca/en/wp-content/GL/GL1Intro.html

 

Lacerte, Sylvie. — «E.A.T, Experiments in Art Technology». — Observatoire Leonardo des arts et des technosciences (OLATS). — Boulogne-Billancourt : Observatoire Leonardo pour les Arts et les Techno-Sciences. — Includes a bibliography. — Text written in 2002. — [Date of reference : February 25, 2010]. — Access : http://www.olats.org/pionniers/pp/eat/eat.php

 

Lacerte, Sylvie. — La pérennité des arts médiatiques : enjeux théoriques et éthiques, défis et embûches [digital document]. — Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage, 2007. — Papers from the workshop organised by the Faculté des arts de l'UQAM, in collaboration with l'Institut du Patrimoine : "Art contemporain, arts médiatiques et architecture moderne : les enjeux de la conservation des oeuvres fragiles, éphémères et virtuelles. Comment penser leur authenticité matérielle et conceptuelle?". — [Date of reference : February 25, 2010]. — Access : http://archives.docam.ca/en/wp-content/uploads/communication_lacerte_final.pdf

 

Laforet, Anne. — Net art et institutions artistiques et muséales : problèmatiques et pratiques de la conservation [On-line]. — 2004. — 50 p. — Acrobat (PDF) file. — [Date of reference : July 13, 2005]. — Access : http://www.sakasama.net/conservationnetart/DL-001052-04-01.01.00.pdf

 

Liang, Lawrence. — A guide to open content licences [digital document]. — Edited by Florian Cramer, Matthew Fuller and Calum Selkirk. — Rotterdam : Piet Zwart Institute, Willem de Kooning Academy, Hogeschool Rotterdam. — Includes a PDF file of the booklet.. — [Date of reference : December 16, 2009]. — Access : http://pzwart.wdka.hro.nl/mdr/research/lliang/open_content_guide

 

MacDonald, Corina. — «Documenting variable media art and digital resources : FRBR meets the variable media questionnaire». — DOCAM Techwatch. — Montréal : DOCAM : Documentation and Conservation of the Media Arts Heritage, 2005-2009. — Techwatch datasheet on the article «Cryogenics and Creativity: The Frankenstein Factor in Cultural Preservation» (Maitland & Hall). — Access : http://archives.docam.ca/veille/fiche.php?id=227

 

Messier, Paul ; Vitale, Timothy. — Video Preservation. — 2007. — [Date of reference : February 9, 2007]. — Access : http://videopreservation.stanford.edu/

 

Montfort, Nick ; Wardrip-Fruin, Noah. — Acid-free bits : recommendations for long-lasting electronic literature. — College Park : Electronic Literature Organization, 2004. — [Date of reference : February 5, 2007]. — Access : http://eliterature.org/pad/afb.html

 

Rinehart, Richard. — «Preserving the Rhizome ArtBase». — Rhizome.org. — New York : Rhizome.org. — Text written in 2002. — [Date of reference : July 22, 2004]. — Access : http://rhizome.org/artbase/report.htm

 

Rinehart, Richard. — «A system of formal notation for scoring works of digital and variable media art». — Electronic Media Group : Special Sessions Program Information : June 13-14, 2004. — Washington : Electronic Media Group of the American Institute for Conservation of Historic and Artistic Works. — [Date of reference : May 21, 2006]. — Access : http://cool.conservation-us.org/coolaic/sg/emg/library/pdf/rinehart/Rinehart-EMG2004.pdf

 

Rinehart, Richard. — Appendices to a system of formal notation for scoring works of digital and variable media art [On-line]. — 23 p. — Acrobat (PDF) file. — [Date of reference : May 22, 2007]. — Access : http://www.bampfa.berkeley.edu/about/formalnotation_apndx.pdf

 

Rinehart, Richard. — Nailing down bits: digital art and intellectual property = Bien fixer les éléments d’information : l’art numérique et la propriété intellectuelle [On-line]. — Gatineau : Canadian Heritage Information Network, 2006. — 46 p. — Acrobat (PDF) file. — [Date of reference : January 21, 2010]. — Access : http://www.pro.rcip-chin.gc.ca/propriete_intellectuelle-intellectual_property/fixer_elements-nailing_down/index-eng.jsp

 

Rinehart, Richard. — A system of formal notation for scoring works of digital and variable media art [On-line]. — 25 p. — Acrobat (PDF) file. — [Date of reference : January 21, 2010]. — Access : http://www.banffcentre.ca/bnmi/programs/archives/2005/refresh/docs/conferences/Richard_Rinehart.pdf

 

Rinehart, Richard. — A system of formal notation for scoring works of digital and variable media art [On-line]. — 25 p. — Acrobat (PDF) file. — [Date of reference : May 22, 2007]. — Access : http://www.bampfa.berkeley.edu/about/formalnotation.pdf

 

Rothenberg, Jeff. — Digital information lasts forever — or five years, whichever comes first [On-line]. — 2001. — Acrobat (PDF) file. — [Date of reference : May 22, 2006]. — Access : http://www.amipaperless.com/dps/rothenberg-arma.pdf

 

Rothenberg, Jeff. — Renewing The Erl King [On-line]. — 28 p. — Acrobat (PDF) file. — [Date of reference : May 22, 2007]. — Access : http://www.bampfa.berkeley.edu/about/ErlKingReport.pdf

 

van Saaze, Vivian ; Wijers, Gaby. — «Research into four media installations». — Nederlands Instituut voor Mediakunst = Netherlands Media Art Institute : Montevideo Time Based Art. — Amsterdam : Netherlands Media Art Institute, Montevideo/Time Based Arts. — Text writen in 2003. — [Date of reference : July 26, 2004]. — Access : http://www.montevideo.nl/en/nieuws/detail.php?id=52

 

Wattenberg, Martin. — Net art idea line : mapping lines of thought through time. — [Date of reference : February 19, 2002]. — Access : http://artport.whitney.org/commissions/idealine.shtml

 

DIGITAL DOCUMENTS

Collecting, archiving, and exhibiting : digital design data [CD-ROM]. — Chicago : Department of Architecture, and Interior Architecture, The School of the Art Institute of Chicago, 2004. — Acrobat (PDF) 6.0 file .

 

Playback : preserving analog video [DVD-ROM]. — Berkeley : Pacific Film Archive, Berkeley Art Museum, 2003. — Stereo sound. — HTML and Acrobat (PDF) files ; also contain FileMaker Pro, JPEG file.