"Between Participation and Documentation: Issues of Preservation in Networked Art" Andria Hickey
This paper explores the ways in which the behavioral nature of online do-it-yourself, art-by-instruction website effects the potential frameworks for future preservation. Using case studies of Hans Ulrich Obrist’s online curatorial project, “DO IT at E-Flux”, and Miranda July’s relational art project, “Learning to Love you More”, this paper compares how differences in participation and audience ultimately effect the trace of an ephemeral work and later preservation strategies.
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Andria Hickey is a Master’s candidate in the Department of Art History at Concordia University in Montreal, Quebec. Her current research explores the relationship between empathy and sincerity after post-modernism.