Data sheet (Document):
| Tate Papers, Autumn 2007, Issue 8: Inherent Vice: The Replica and its Implications in Modern Sculpture | |
| Complete bibliography Tate Papers, Issue 8, Autumn 2007, ISSN 1753-9854 | |
| URL | |
| Type of document Res_enligne |
Participation method Mention |
| Theme 6- Museum practices for works featuring technological components | |
Observer: Natacha Clitandre |
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The Autumn 2007 issue of Tate Papers, edited with the assistance of Bryony Bery, is given over to the papers produced for the "Inherent Vice: The Replica and its Implications in Modern Sculpture" Workshop, held at Tate Modern on 18–19 October 2007 and supported by The Andrew W. Mellon Foundation. A significant purpose of gathering together different viewpoints and professions from around the world was to air the multi-disciplinary debate concerning decay and replication in relation to sculpture of the last hundred years, and to seek a deeper understanding of the, often difficult, problems that arise for the artists, their heirs and the collections that are custodians of their work. Source: http://www.tate.org.uk/research/tateresearch/tatepapers/07autumn/ Joanna Philipps' paper "Reconstructing the Forgotten: An Exhibition of 1970s and 1980s Video Installations, Re-staged with Authentic Technology" is particularly relevant for DOCAM researchers. | |
Links: Tate Papers, Issue 8, Autumn 2007 [Online] (Page consulted February 13, 2008) Reconstructing the Forgotten: An Exhibition of 1970s and 1980s Video Installations, Re-staged with Authentic Technology [Online] (Page consulted February 13, 2008) | |
